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1st-century Roman domes

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While there are earlier examples in the Republican period and early Imperial period, the growth of domed construction increased under Emperor Nero and the Flavians in the 1st century AD, and during the 2nd century. Centrally planned halls become increasingly important parts of palace and palace villa layouts beginning in the 1st century, serving as state banqueting halls, audience rooms, or throne rooms.[1] Formwork was arranged either horizontally or radially, but there is not enough surviving evidence from the 1st and 2nd centuries to say what was typical.[2]

Nero

The opulent palace architecture of the Emperor Nero (54 – 68 AD) marks an important development.[3] There is evidence of a dome in his Domus Transitoria at the intersection of two corridors, resting on four large piers, which may have had an oculus at the center. In Nero's Domus Aurea, or "Golden House", planned by Severus and Celer, the walls of a large octagonal room transition to an octagonal domical vault, which then transitions to a dome with an oculus.[4][5] This is the earliest known example of a dome in the city of Rome itself.[6]

The Domus Aurea was built after 64 AD and the dome was over 13 meters (43 ft) in diameter.[7] The exterior diameter of the octagonal room was 14.65 meters (48.1 ft) meters and the diameter of the oculus was 5.925.92 meters (19.4 ft) meters. The height of the dome (4.79 meters (15.7 ft)) was about equal to the height of the supporting walls (4.91 meters (16.1 ft)). The dome transitions from an octagonal plan to a circular plan at about 2 meters (6 ft 7 in) above its springing.[8] This octagonal and semicircular dome is made of concrete and the oculus is made of brick. The radial walls of the surrounding rooms buttress the dome, allowing the octagonal walls directly beneath it to contain large openings under flat arches and for the room itself to be unusually well lit.[9] Because there is no indication that mosaic or other facing material had ever been applied to the surface of the dome, it may have been hidden behind a tent-like fabric canopy like the pavilion tents of Hellenistic (and earlier Persian) rulers. The oculus is unusually large, more than two-fifths the span of the room, and it may have served to support a lightweight lantern structure or tholos, which would have covered the opening. Circular channels on the upper surface of the oculus also support the idea that this lantern, perhaps itself domed, was the rotating dome referred to in written accounts.[10] A rainwater drainage manhole in the floor at the center of the room, beneath the open oculus, has since been covered.[11]

According to Suetonius, the Domus Aurea had a dome that perpetually rotated on its base in imitation of the sky.[12] It was reported in 2009 that newly discovered foundations of a round room may be those of a rotating domed dining hall.[13] Also reported in contemporary sources is a ceiling over a dining hall in the palace fitted with pipes so that perfume could rain from the ceiling, although it is not known whether this was a feature of the same dome.[14] The expensive and lavish decoration of the palace caused such scandal that it was abandoned soon after Nero's death and public buildings such as the Baths of Titus and the Colosseum were built at the site.[15]

Domitian

The only intact dome from the reign of Emperor Domitian is a 16.1-meter (53 ft) wide example in what may have been a nymphaeum at his villa at Albano. It is now the church of Santa Maria della Rotunda [it].[7]

Domitian's 92 AD Domus Augustana established the apsidal semi-dome as an imperial motif.[16] Square chambers in his palace on the Palatine Hill used pendentives to support domes.[17] His palace contained three domes resting over walls with alternating apses and rectangular openings.[18] Twin octagonal halls covered with cloister vaults were made by Rabirius.[19] An octagonal domed hall existed in the domestic wing.[20] Unlike Nero's similar octagonal dome, its segments extended all the way to the oculus.[16] The dining hall of this private palace, called the Coenatio Jovis, or Dining Hall of Jupiter, contained a rotating ceiling like the one Nero had built, but with stars set into the simulated sky.[21]

The so-called "Baths of Nero" at Pisa included an octagonal cloister vault over the small sudatio, or hot room, with a central oculus surrounded by eight rectangular openings in the ceiling, one in each slice of the vault.[22]

See also

References

Citations

  1. ↑ Krautheimer 1986, p. 77.
  2. ↑ Lancaster 2005, p. 40.
  3. ↑ Lehmann 1989, pp. 248, 250.
  4. ↑ Warden 1981, p. 271.
  5. ↑ Sear 1983, pp. 97, 101.
  6. ↑ Lancaster 2005, p. 42.
  7. ↑ 7.0 7.1 Adam 2013, p. 187.
  8. ↑ Hannah, Magli & Palmieri 2016, pp. 514, 519.
  9. ↑ Conti, Martines & Sinopoli 2009, pp. 3, 5.
  10. ↑ Hemsoll 1989, pp. 7–9, 14.
  11. ↑ Hannah, Magli & Palmieri 2016, p. 515.
  12. ↑ Sear 1983, p. 101.
  13. ↑ Pisa 2009, p. 1.
  14. ↑ Lehmann 1989, pp. 250–253.
  15. ↑ Erdkamp 2013, p. 147.
  16. ↑ 16.0 16.1 Hourihane 2012, p. 303.
  17. ↑ de Camp 1990, p. 177.
  18. ↑ Wilson 2001, p. 433.
  19. ↑ Roca et al. 2024, p. 573.
  20. ↑ Melaragno 1991, p. 28.
  21. ↑ Dewdney 2008, p. 278.
  22. ↑ Cipriani, Fantini & Bertacchi 2016, pp. 138–139.

Sources

  • Adam, Jean-Pierre (2013). Roman Building: Materials and Techniques. London, England: Routledge. ISBN 978-1-134-61869-9.
  • Cipriani, Luca; Fantini, Filippo; Bertacchi, Silvia (2016). "Understanding Ancient Design through Survey: Examples from Hadrian's Villa". SCIRES-IT-SCIentific RESearch and Information Technology. 6 (2). CASPUR-CIBER Publishing: 133–150. doi:10.2423/i22394303v6n2p133. ISSN 2239-4303. Archived from the original on 2018-04-21. Retrieved 2026-02-21.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)
  • Conti, Cinzia; Martines, Giangiacomo; Sinopoli, Anna (2009). "Constructions Techniques of Roman Vaults: Opus Caementicium and the Octagonal Dome of the Domus Aurea". Proceedings of the Third International Congress on Construction History (PDF). Archived from the original (PDF) on 2015-09-23. Retrieved 2015-03-13.
  • Dewdney, Christopher (2008). Acquainted with the Night: Excursions Through the World After Dark. New York, NY: Bloomsbury Publishing USA. ISBN 978-1-59691-768-2.
  • Erdkamp, Paul (2013). The Cambridge Companion to Ancient Rome (illustrated ed.). Cambridge, England: Cambridge University Press. ISBN 978-0-521-89629-0.
  • Hannah, Robert; Magli, Giulio; Palmieri, Antonella (2016). "Nero's "Solar" Kingship and the Architecture of the Domus Aurea". Numen. 63 (5/6). Brill: 511–524. arXiv:1312.7583. doi:10.1163/15685276-12341436. JSTOR 44505307.
  • Hemsoll, David (1989). "Reconstructing the Octagonal Dining Room of Nero's Golden House". Architectural History. 32. Cardiff, Wales: SAHGB Publications Ltd.: 1–17. doi:10.2307/1568558. JSTOR 1568558.
  • Hourihane, Colum, ed. (2012). The Grove Encyclopedia of Medieval Art and Architecture. Oxford, England: Oxford University Press. ISBN 978-0-19-539536-5.
  • Krautheimer, Richard (1986). Early Christian and Byzantine Architecture (4th ed.). New Haven, CT: Yale University Press. ISBN 978-0-300-05294-7.
  • Lancaster, Lynne C. (2005). Concrete Vaulted Construction in Imperial Rome: Innovations in Context (illustrated ed.). Cambridge, England: Cambridge University Press. ISBN 978-0-521-84202-0.
  • Lehmann, Karl (1989) [1945]. "The Dome of Heaven". In Kleinbauer, W. Eugène (ed.). Modern Perspectives in Western Art History: An Anthology of Twentieth-Century Writings on the Visual Arts. Vol. 25. Toronto: University of Toronto Press. pp. 227–270. ISBN 978-0-802-06708-1.
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